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Timeline Styles Explained: Classic, Main Track & Compact

The timeline is where every edit lives, and since 5.8 you get to choose how it behaves. Classic keeps clips exactly where you drop them; Main track snaps videos end to end like a phone-first editor; Compact is Main with smaller rows. Here’s how to pick and switch.

Quick answer

ExpoCut has three timeline styles. Classic is free-form: every insert gets its own row and clips sit where you drop them. Main track is magnetic: videos join end to end on one main row and deleting one closes the gap. Compact is the Main-track model with smaller rows — five on screen instead of three. Switch the current project from the Timeline style button at the right end of the transport strip (scroll the strip past the scissors); set the default for new projects in Settings ▸ Timeline.

  • Classic = free-form rows (audio A-rows, video V-rows, text T-rows…); nothing moves unless you move it.
  • Main track = one magnetic video row: clips butt together, deletions close the gap, no accidental black frames.
  • Compact = Main track with smaller rows so five fit on screen — best for layered edits on a phone.
  • The switch lives in the transport strip (scroll it right); the choice is saved per project.
  • Settings ▸ Timeline sets the default style for new projects, plus preview frame rate and audio-row visibility.

Editors argue about magnetic timelines the way musicians argue about click tracks. ExpoCut sidesteps the argument: you choose. The three styles share the same layers, the same tools and the same export — they only change what the timeline does when you drop, trim and delete.

The three styles at a glance

Style Model Rows Best for
Classic Free-form — every insert gets its own row, clips stay where you drop them Full height, three on screen Layered edits, overlays, precise placement
Main track Magnetic — videos join end to end on one main row; deleting one closes the gap Full height Cut-and-sequence edits, vlogs, montages
Compact The Main-track model with smaller rows Five on screen Layered edits on a phone screen

Whatever the style, rows are grouped by family: V for video, O for images, T for text, A for audio, E for shaders, L for light leaks, C for collages. Tap a row label before adding a clip and the new clip appends to that row instead of starting a new one.

Classic — free-form rows

The Classic timeline under a camp-cooking clip: an A1 music row with a 12-second waveform above a V2 row holding a 4-second text clip and two video clips of 7 and 5.1 seconds, with + joiners between the videos. Row families — A (audio) · V (video) Clips sit where you drop them
Classic. Each insert lands on its own row, and a clip stays exactly where you put it — a gap is a gap until you close it. The + joiners between clips still hold transitions.

Classic is the default. It’s the right choice when you’re building up rather than along — picture-in-picture, a title over a shader, three overlays timed to a beat. Long-press a clip to enter arrange mode and drag it to a new time or row.

Main track — magnetic

The same project in Main track style: the transport strip's timeline-style button is highlighted, and the V2 row acts as the main track with the clips joined end to end. Main track active Videos join end to end
Main track. Videos on the main row are magnetic: drop a clip and it snaps to the end of the previous one; delete a clip and the rest slide left to close the gap. Overlays above still float freely.

If you’ve edited on a phone before, this is the behaviour you expect: no black frames from a stray gap, no nudging clips to touch. Split, trim and reorder on the main row and everything downstream keeps up.

Compact — more rows on screen

The same project in Compact style: the A1 and V2 rows are noticeably shorter, leaving room for more rows below. Smaller rows — five on screen Compact active
Compact keeps the magnetic main track but shrinks every row, so a five-layer edit fits on screen without scrolling.

Compact is Main track for busy projects — captions, music, a logo and two overlays on top of the cut. Thumbnails get smaller, but the row labels and joiners stay tappable.

Switch the style for this project

  1. Scroll the transport strip

    The strip under the canvas (⏮ ▶ ⏭ · time · undo · redo…) scrolls sideways. Swipe it left past the scissors.

  2. Tap the Timeline style button

    It’s the list-shaped icon after Blade cut; it turns white when a non-Classic style is active.

  3. Pick Classic, Main track or Compact

    If the switch has to join videos or close gaps, ExpoCut asks to confirm first; Undo reverses it either way.

The Timeline style sheet with three cards: Classic — free-form rows, every insert gets its own row, clips sit where you drop them; Main track — a magnetic main track, videos join end to end, deleting one closes the gap; Compact — the main-track model with smaller rows, five on screen instead of three. Classic — free-form rows Main track — magnetic, closes gaps Compact — Main with 5 rows on screen
The Timeline style sheet. The choice is saved with the project, so a Classic edit and a Main-track edit can live side by side.

Set the default for new projects

Settings ▸ Timeline: a Show audio track under videos switch, a Preview frame rate row (30, 27, 24, 16, 12), the Timeline style for new projects list with Classic checked, Main track and Compact, and a Magnet (snap to edges) switch under Default behaviours. Preview frame rate Default style for new projects
Home ▸ ⚙ ▸ Timeline. Pick the style every new project opens with. The same screen sets the preview frame rate and whether a video’s embedded audio shows as its own row.

Existing projects keep their own style — this only changes what a fresh New Project starts with. The Magnet (snap to edges) switch below sets whether clips snap to each other’s edges while you drag, in any style.

Which one, honestly?

  • You cut talking-head or travel footage into a sequence → Main track. Fewer gaps, faster cuts.
  • You build motion graphics — text over shaders, PiP, stacked overlays → Classic. Nothing moves unless you move it.
  • You do both on a small screen → Compact, and zoom the timeline with the slider by the ⊖ icon when you need detail.

Where to go next

Three styles, one project format. Try Main track for a cut, Classic for a composite — and switch whenever the edit changes shape.


Frequently asked questions

Which timeline style should I use?

Main track if you mostly cut clips one after another — it behaves like the phone editors you already know and never leaves gaps. Classic if you layer freely, stack overlays, or want a clip to stay exactly where you put it. Compact when a layered edit needs more rows on screen at once.

Does switching the timeline style change my edit?

It changes how the rows behave, not your layers. Moving from Classic to Main track joins the videos on the main row end to end and closes any gaps; ExpoCut asks before it moves anything, and Undo puts everything back. Switching between Main track and Compact only changes row height.

How do I set the timeline style for every new project?

Open Settings ▸ Timeline and pick Classic, Main track or Compact under Timeline style for new projects. Existing projects keep their own style — change those from the transport strip in the editor.


Pick the timeline that fits your edit

Free-form rows, a magnetic main track, or compact rows for layered edits — switch per project, set your default once.

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